Archives For Australian Cinema

Over at Screen Realm, I review Aussie thriller Pimped.

https://screenrealm.com/pimped-movie-review/

Advertisements

Since the age of 19, with his accomplished documentary about his aunt, Chasing Buddha, Amiel Courtin-Wilson has been swimming through a sea of never-ending work (“I just really love what I do, so I try to do as much as I can.”) When FilmInk catches up with him in Paris, he is working with composer and sound designer Nicholas Becker (Batman Begins), about to board a plane to return to hometown Melbourne as part of the Melbourne International Film Festival (MIFF) for a screening of his new film The Silent Eye, as well as a 10th anniversary screening of his documentary Bastardy.

Running just over an hour, The Silent Eye is a contemplative performance piece that sees Japanese dancer, 72-year-old Min Tanaka collaborating with free jazz pioneer, 88-year-old Cecil Taylor; the pair having known each other for over 30 years. It’s a stripped back affair that contrasts with Amiel’s previous narrative work.

“I’ve been doing these shoots that take years and years, I wanted to do something that was discreet and very contained,” he explains. “I was really interested to see if I could shoot a feature in a few days, in a single room and setting those kind of creative constraints.”

Read the rest of the interview here.

Bastardy (2008)

August 31, 2017 — Leave a comment

Amiel Courtin-Wilson pretty much sets up the tone of 2008’s Bastardy within its opening moments. “If I were to hide any of this,” says indigenous actor ‘Uncle’ Jack Charles as he lays out his drug paraphilia. “I don’t think this would be a true depiction of my lifestyle.” It’s a powerful image and not the last time we see Charles this open and frank.

Courtin-Wilson shoots Charles from a distance as he wanders around the streets of Melbourne leaving the larger than life character to seem tiny and insignificant in the world around him. In the best possible way, Bastardy shows the mass of contradictions that make up the then-homeless actor. As he waxes lyrical about his addiction, his lost love and his criminal record, Charles can leave his audience humble by his cheerfulness. He is happy to share his tales and is good for a philosophical thought or two. And yet, with the demons that run rife in Charles’ life, this kind of optimism doesn’t continue all the way through Bastardy.

Read the rest of the review here.

Three Summers (2017)

August 26, 2017 — 1 Comment

In Ben Elton’s second film as director, the writer and comedian uses the microcosm of a WA folk festival to pick at the scabs of Australia’s political climate both past and present. Elton has always been known for his politics, so his desire to sink his teeth into something like this is not surprising. What is surprising is how he wraps up the political back and forth in the form of a romantic comedy which sees overly serious theremin player, Roland (Robert Sheehan) and down to earth fiddle player Keevey (Rebecca Breeds) pretend they don’t fancy each other over three years.

Without this ‘will they? won’t they?’ as the main thrust of the film, Three Summerscould come across a little overwrought and perhaps even on-the-nose. That said, the film’s backdrop is a smart choice on Elton’s part; allowing characters of differing POVs to rub shoulders, without it feeling like they’ve been crowbarred into the scenario.

Read the rest of the review here.

Perhaps all of us at some time have wanted to reinvent ourselves; to be reborn a new person. For former housewife Morgana Muses, the desire came when she was at her absolute worst. Recently divorced and feeling isolated from her conservative community, Morgana, sadly, wanted to end her life. Before doing so, she hired a male escort for one last stab of intimacy. It was from this point onwards her life took on a whole new meaning. Seizing a later opportunity to make an erotic film about her experience, Morgana lit the touchpaper to a new life as a feminist adult actress.

The documentary, Morgana, follows the titular subject as she takes ownership of her sexuality and identity and is directed by Melbourne filmmakers, Josie Hess and Isabel Peppard. Isabel is an award-winning animator whose short Butterflies won great acclaim on the festival circuit. Josie, along with writing and producing the short film Sunroom, has worked on numerous indie erotica projects including Morgana’s Permission4Pleasure label.

“Josie had approached me to direct Morgana’s 50th birthday present to herself, which was to be suspended in a giant bondage installation,” Isabel explains. “It wasn’t something I would have directed, because I only direct my own visions and the stories I write. However, Josie told me about Morgana’s story, that three years ago she was a housewife from rural Australia and now she’s a pornographer and I thought ‘wow, that’s an incredible story’.”

Read the rest of the interview here.

The Space Between is the feature length debut from director Ruth Borgobello and the first to come out of the Italian/Australian co-production treaty signed way back in the ‘90s. A potent blend of second chances, love and stunning scenery, the film is likely to resonate with the Europhiles of Australia.

Filmmaker Ruth Borgobello hadn’t always wanted to be a director. Growing up she had her heart set on being an actress or a writer. Discovering films like A Clockwork Orange and The Graduate in her teens, led her to wanting to study film at VCA. A word from her careers guidance counselor led her down a different path however.

“He gave me a disapproving look,” Ruth explains “and said, ‘if you want to study arts, then at least do Arts/Commerce so you have a back-up.’ I took his advice to heart and ended up at Melbourne Uni studying Commerce, sneaking in a few cinema subjects and getting involved in theatre. Marketing was the most creative of the majors on offer so I did that.”

Read the rest of the interview here.